![]() ![]() ![]() ![]() We are trapped in the flow of the story the way she's trapped in the middle of the desert. ![]() Paging through the paragraphs of text and finding little to no white space kind of gives us an idea of how Gemma must feel looking out from the tree in the Separates: "horizon, horizon, Separates, horizon, horizon … nowhere to run" (30.6). As a result, the presentation of Gemma's ordeal mimics the relentlessness of the actual events-we wait and wait and wait for a chapter break so we can grab a Coke or go pee, but the story just goes on and on. Just like these great authors before her, Lucy Christopher takes the novel-in-letters format and puts it to work-with a twist.įor one thing, Stolen is not made up of a series of letters but is rather one gigantic letter broken up into 113 sections. Hinton's The Outsiders, and Stephen Chbosky's The Perks of Being a Wallflower are just a few examples of modern classics that employ this style.īut enough with the history lesson. While the form was frequently used in the 18th and 19th centuries in works like Samuel Richardson's Clarissaand Mary Shelley's Frankenstein, letter-based novels as a genre kept on chugging right into the 20th century and remain a popular format today. Her captor, Ty, in his late 20s, is a less-successful creation. Privileged Gemma, 16, is sympathetic and believable. From its compelling opening, the novel delivers taut suspense and a riveting plot in a haunting setting. An epistolary novel is a big, fancy name for a work of fiction told in letters. This debut novel about an English teen’s abduction and imprisonment in the Australian outback unfolds as a letter from captive to captor. ![]()
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